“In my imagination, it was true”: Margins of Excess exhibition artist talk by Max PINCKERS by Allan LEONARD 14 June 2019 As part of the Belfast Photo Festival, Belfast Exposed is hosting an exhibition of Margins of Excess, by Max Pinckers. The artist gave a talk about this project in the gallery, describing how he […]
Belfast Exposed exhibition talk: Post Truth: The new normal of the undefined, abstract, and make believe
Belfast Exposed exhibition talk: Post Truth: The new normal of the undefined, abstract, and make believe by Allan LEONARD 30 May 2019 Belfast Exposed is hosting a group exhibition displaying the work of graduate students of the MFA Photography programme at Ulster University (UU). The theme is “Post Truth”, which aims to explore how we […]
Book review: The Colour of Time (Dan JONES & Marina AMARAL) by Allan LEONARD 26 May 2019 Released in hardcover in August 2018 and now available in paperback, The Colour of Time, by historian Dan Jones and artist Marina Amaral, is a collection of 200 colourised photographs taken between 1850 and 1960. With accompanying extended […]
Doing our part: Dealing with bonfires by Allan LEONARD for Shared Future News 9 May 2019 Greater Shankill Alternatives, which is part of a co-ordinating initiative on restorative justice across Northern Ireland, hosted a workshop session that explored various aspects of the tradition of bonfires and the organisation’s approaches of engagement with groups who construct […]
Decisive moments at Belfast City Hospital: A street photography exhibition by Tuck GOH by Allan LEONARD 17 January 2019 At the Tower Gallery in City Hospital, I arrived with some time to spare in advance of the official start of an exhibition of street photography by Tuck Goh. I took a seat and watched passers-by […]
SEVERE: Interview with Martin SEEDS by Allan LEONARD 5 November 2018 A new body of work by Belfast-born artist, Martin Seeds, has just been shown as part of the Brighton Photo Fringe. The works are an extension of Seeds’ application of landscape and allegory. Or put another way, our political landscape — literally and figuratively.